The Watering Can, Garden at Le Raincy
c. 1883
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, 1883
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Georges Seurat — Summer Landscape Print
A church rises beyond a sunlit green field beneath a pale sky. Seurat builds the scene from short strokes, balancing open ground with the darker shapes of trees and distant buildings.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A church rises beyond a sunlit green field beneath a pale sky. Seurat builds the scene from short strokes, balancing open ground with the darker shapes of trees and distant buildings.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Georges Seurat
- Artwork
- Georges Seurat — Summer Landscape Print
- Date of work
- 1883
- Museum collection
- National Gallery of Art, Washington
About Georges Seurat
French · 1859–1891
Georges Seurat was born in 1859 and trained at the École des Beaux-Arts in Paris with Henri Lehmann, a pupil of Ingres. Study of older paintings at the Louvre accompanied an interest in the modern world around him. His Conté crayon drawings explored subtle transitions of tone, while painting offered another way to investigate the relationship between a clear structure and a living surface.
Seurat developed an approach that combined academic discipline with an interest in Impressionism and contemporary theories of colour. Bathers at Asnières became an important early statement of his ambitions. Carefully organised figures and spaces gave modern urban life the scale of a substantial composition. The pointillist technique associated with his mature work grew within this larger investigation of how colour, light and pictorial order could work together.
Explore Georges Seurat prints
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The whole collection
Charing Cross Bridge, London
1890
Stack of Wheat (Thaw, Sunset)
1890-91
Landscape near Paris
c. 1876