John Singer Sargent — Miss Beatrice Townsend Print
1882
Illustrative frame preview.
Nationalmuseum, StockholmOriginal work, 1915
← The collection
Carl Larsson — Midvinterblot Print
A ceremonial procession stretches across Larsson’s monumental winter scene. Elaborate costumes, strong reds and an architectural backdrop gather the figures into a richly detailed arrangement. The supplied museum reproduction retains the narrow architectural arch surrounding the painting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A ceremonial procession stretches across Larsson’s monumental winter scene. Elaborate costumes, strong reds and an architectural backdrop gather the figures into a richly detailed arrangement. The supplied museum reproduction retains the narrow architectural arch surrounding the painting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Carl Larsson
- Artwork
- Carl Larsson — Midvinterblot Print
- Date of work
- 1915
- Museum collection
- Nationalmuseum, Stockholm
About Carl Larsson
Swedish · 1853–1919
Carl Larsson was born in Sweden in 1853. Work in the international artists’ colony at Grez-sur-Loing, south of Paris, helped develop his watercolour practice. Rural subjects and changing outdoor light offered a setting in which he could explore a clearer, more luminous approach to painting.
Larsson’s work extended across watercolour, illustration and ambitious decorative commissions. His relationship with Karin Larsson belonged to a wider shared interest in art and the spaces of everyday life. Alongside familiar domestic subjects, large public paintings brought his understanding of figures and ornament into a different scale.
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