Saint-Mammès, Loing Canal
1885
Art Institute of ChicagoOriginal work, 1875
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Alfred Sisley — The Seine at Port-Marly, Piles of Sand Print
Piles of pale sand and small boats line a broad river. Sisley sets the working bank against bare trees, distant houses and a lightly clouded sky.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£19.50
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Piles of pale sand and small boats line a broad river. Sisley sets the working bank against bare trees, distant houses and a lightly clouded sky.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Alfred Sisley
- Artwork
- Alfred Sisley — The Seine at Port-Marly, Piles of Sand Print
- Date of work
- 1875
- Museum collection
- Art Institute of Chicago
About Alfred Sisley
British, born in France · 1839–1899
Alfred Sisley was born in Paris to British parents and remained a British national throughout his life. He trained in Charles Gleyre’s studio, where the circle around Monet and Renoir helped shape his direction. France became his principal home and subject, although journeys to England and Wales brought different rivers, coastlines and skies into his painting.
While fellow Impressionists moved between portraits, interiors and city scenes, Sisley devoted himself chiefly to landscape. Bridges, village streets and the banks of the Seine offered recurring motifs. He returned to places under changing conditions, finding subtle differences in water, cloud and shadow. His paintings combine the immediate sensation of outdoor light with a carefully held sense of structure.
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