Scenes of Witchcraft: Evening
c. 1645–49
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, c. 1645–1649
Fantastic creatures and a seated figure occupy a rocky setting in Rosa’s circular painting. The reproduction preserves the original round composition and its surrounding black field.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Fantastic creatures and a seated figure occupy a rocky setting in Rosa’s circular painting. The reproduction preserves the original round composition and its surrounding black field.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
Italian · 1615–1673
Salvator Rosa (1615–1673) was an Italian artist. Rosa worked in Naples, Rome and Florence, pursuing poetry and satire as well as painting and printmaking. His landscapes often give rocks, trees and weather an active role in the drama of a scene. The paired witchcraft pictures make that concern especially visible. Their circular boundaries gather figures and terrain into compact worlds, inviting comparison of the different light, activity and atmosphere that distinguish the morning scene from its evening companion.
Scenes of Witchcraft: Morning: Fantastic creatures and a seated figure occupy a rocky setting in Rosa’s circular painting. The reproduction preserves the original round composition and its surrounding black field. Scenes of Witchcraft: Evening: A small gathering works around a light beneath skeletal forms in Rosa’s dark circular scene. The complete museum reproduction retains the original round support and surrounding black field.
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