A Seascape with Two Sail Boats
Date not recorded
Cleveland Museum of ArtOriginal work, c. 1800–37
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John Constable — Landscape with Trees Surrounding a Pond Print
A pond rests beneath a group of trees and lightly drawn buildings. Constable uses fine lines and soft shading across the open sheet, preserving the complete paper composition.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£19.50
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
A pond rests beneath a group of trees and lightly drawn buildings. Constable uses fine lines and soft shading across the open sheet, preserving the complete paper composition.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- John Constable
- Artwork
- John Constable — Landscape with Trees Surrounding a Pond Print
- Date of work
- c. 1800–37
- Museum collection
- Cleveland Museum of Art
About John Constable
British · 1776–1837
John Constable was born in East Bergholt, Suffolk. The countryside around his home became an enduring source of feeling and subject matter. Largely self-taught in his early development, he entered the Royal Academy Schools around the turn of the century. Dutch landscape painting and the work of Rubens and Claude helped inform his understanding of colour and composition.
Constable made numerous outdoor sketches, using direct observation to prepare larger paintings worked up in the studio. His art brings close attention to weather and the appearance of familiar places. Rather than seeking landscape only as an idealised setting, he gave ordinary fields, ponds and waterways a powerful pictorial presence. The sky became an active part of that experience.
Explore John Constable prints
Keep looking.
The whole collection
Scene on the French Coast
published 1807
Saint-Mammès, Loing Canal
1885
Boulevard des Italiens, Morning, Sunlight
1897