Seascape (Gravelines)
1890
Art Institute of ChicagoOriginal work, 1884–86, border added 1888–89
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Georges Seurat — A Sunday on La Grande Jatte — 1884 Print
A fine art print of A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89, by Georges Seurat. The original is in the collection of the Art Institute of Chicago.
Printed on 200 gsm uncoated paper and supplied in a ready-to-hang frame.
£33.37
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
A fine art print of A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89, by Georges Seurat. The original is in the collection of the Art Institute of Chicago.
Printed on 200 gsm uncoated paper and supplied in a ready-to-hang frame.
- Artist
- Georges Seurat
- Artwork
- Georges Seurat — A Sunday on La Grande Jatte — 1884 Print
- Date of work
- 1884–86, border added 1888–89
- Museum collection
- Art Institute of Chicago
About Georges Seurat
French · 1859–1891
Georges Seurat was born in 1859 and trained at the École des Beaux-Arts in Paris with Henri Lehmann, a pupil of Ingres. Study of older paintings at the Louvre accompanied an interest in the modern world around him. His Conté crayon drawings explored subtle transitions of tone, while painting offered another way to investigate the relationship between a clear structure and a living surface.
Seurat developed an approach that combined academic discipline with an interest in Impressionism and contemporary theories of colour. Bathers at Asnières became an important early statement of his ambitions. Carefully organised figures and spaces gave modern urban life the scale of a substantial composition. The pointillist technique associated with his mature work grew within this larger investigation of how colour, light and pictorial order could work together.
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